![]() By depicting her community, Packer often acknowledges personal grief in response to tragedies of state and institutional violence against Black Americans. Packers work draws on traditions of portraiture and still life, while situating these historical genres within a contemporary context. Her recent canvases were standouts in the 2019 Biennial, while this exhibition will provide an opportunity to survey the breadth of her extraordinary, still evolving body of work. Over the past several years, the Whitney has presented significant shows dedicated to a range of contemporary painters, including Julie Mehretu, Laura Owens, and Salman Toor, and we are honored to add Jennifer Packer to this unfolding story, said Scott Rothkopf, Senior Deputy Director and Nancy and Steve Crown Family Chief Curator. Also featured are new portraits created in the last two years. Among the portraits in the Whitneys presentation are works from the Museums collection, including The Body Has Memory (2018) and A Lesson in Longing (2019), Packers vibrant, rose-hued painting from the 2019 Whitney Biennial that depicts two subjects facing the viewer, equally obscured and revealed by Packers application of thin washes and sweeping gestural brushstrokes. The exhibition title references Ecclesiastes 1:8 and points to the idea of an insatiable desire for knowledge through sensory experience and the significance of bearing witness. The Whitneys presentation of The Eye Is Not Satisfied With Seeing is the largest survey of Packers work to date, and is organized by Rujeko Hockley, Arnhold Associate Curator, and Jane Panetta, Curator and Director of the Collection, who presented Packers work at the Whitney for the first time as co-curators of the 2019 Biennial. Coming to the Whitney from Serpentine in London, the exhibition will be on view in the Museums eighthfloor Hurst Family Galleries from Octoto Spring 2022. The exhibition features over thirty works from 2011≢0, including new paintings and rarely exhibited drawings. 1984, Philadelphia, PA) combines observation, memory, and improvisation in paintings and drawings that focus on the emotional experience of Black people and the environments they inhabit. ![]() This fall, the Whitney presents Jennifer Packer: The Eye Is Not Satisfied With Seeing, the artists first major solo museum exhibition in New York.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |